Mixed media (Relief Monotype, soft ground hand painting with collage)
76.5 x 112 cm
Edition of 15
R
Peter Cohen is a Johannesburg-based architect and artist with his own architectural practice, with a particular affinity for designing modern dwellings that imagine the fine artworks that would fill these domestic spaces. In 2020, in the midst of the global pandemic, Cohen felt the need to create art outside of the realm of architecture. He began exploring both abstract and figurative imagery in different mediums, in the hours after continuing his architectural business by day. With his early works Cohen was industrious with what tools he could find, painting delicate, precise landscapes on spare pieces of floorboards and rolls of heavy brown paper. Cohen’s typically monochromatic work explores imagery related to the built and natural landscape, classical antiquity and other art historical periods, with a mark that is precise, sometimes eliciting a pixel-like surface
Boemo Diale
Week is still here, 2024
sugar lift, soft ground, drypoint, spitebite, handpainting and chine colle,
47 x 37 cm
Edition of 9
R
A balancing act, 2024
sugar lift, soft ground, drypoint, spitebite, handpainting and chine colle,
47 x 37 cm
Edition of 9
R
Aren’t you thankful it happened?, 2024
soft ground, drypoint, spite bite, handpaiting, chine colle and collage.
75 x 53 cm
Edition of 15
R
Boemo Diale (b. 2000) is a painter and sculptor who combines media to engage in a playful and dynamic historical dialogue with traditional art. Focusing on feminism, bodily autonomy, and the response to mental illness, her work remains light-hearted and bright. She utilizes symbolism and abstraction in her vibrant figures to draw positive reflections on heavy subjects.
Boemo grew up navigating different racial and socio-political structures in Rustenburg and the suburbs of Johannesburg. As an exploration of identity, generational trauma, dreams and manifestations, the artist’s practice is both highly personal and speaks to the broader cultural inheritance of South African women. Diale’s visual narration takes on a dream-like articulation, her figures often appear caught within the confines of a vessel or pushed up against the borders of her painted surface.
Heidi Fourie
As she saw me, 2025
Watercolour Monotype with handpainting
58 x 49 cm
R
Look over, 2025
Watercolour Monotype
31 x 23 cm
R
Over his shoulder, 2025
Oil Monotype
58 x 49 cm
R
Lungs full of air, 2025
Watercolour monotype
68.5 x 80 cm
R
The Final Burn, 2025
Watercolour monotype
80 x 68.5 cm
R
Devils Peak, 2025
Oil monotype
58 x 49 cm
R
We started too late, 2025
Oil monotype
68.5 x 80 cm
R
It’s been a while, 2025
Oil monotype
37 x 58 cm
R
Wetland creatures, 2025
Watercolour monotype
68.5 x 80 cm
R
Flying is a brave act, 2025
Oil monotype
58 x 49 cm
R
Flying is a brave act, 2025
Oil monotype
58 x 49 cm
R
Dive, 2025
Oil monotype with handwork
58 x 49 cm
R
Small dive, 2025
Watercolour Monotype
31 x 36 cm
R
City birds, 2025
Watercolour Monotype
49 x 58 cm
R
Sleeping sculpture, 2025
Watercolour monotype with handpainting
58 x 49 cm
R
Observer, 2025
Watercolour monotype
58 x 47 cm
R
Supermoon, 2025
Watercolour Monotype
31.5 x 25 cm
R
I’ll tell you by the fire, 2025
Watercolour monotype
58 x 49 cm
R
Heidi Fourie (b. 1990) uses oil painting to explore the relationship between people and the spaces they occupy. She takes inspiration from the medium’s natural tendency to represent organic lines and shapes. Curiosity motivates her practice, as demonstrated by her gestural representation, muted palette, and unique angular perspective. By emphasizing the natural world through washed texture and depth, Fourie explores intuition and relativity.
Fourie studies how the results of figurative representation and the intrinsic qualities of paint are pursued simultaneously. Her subject matter is simple – everyday scenes of figures and familiar objects – the simplicity frees her to practice and constantly refine her balancing act between restraint and excess, between gestural and polished mark-making.
Stephen Langa
Stephen Langa is a Johannesburg-based South African artist from the Limpopo province, growing up in the small town of Makopane. He specialises in a number of different media, including charcoal drawing, watercolour and oil painting. In 2018 he achieved his Diploma in Art & Design from Tshwane North College in Pretoria.
Langa’s intimate imagery explores stories of the people, experiences and environment around him. Harkening back to artists like George Pemba, Claude Monet, Gerard Sekoto, Jo Maseko and more, his work presents visions of new economic narratives and reality. Langa’s work seeks to galvanize and has intimacy of black cultural experiences, composition’s that have questions for the viewer and highlights of his own experiences of his hometown and the city as visually detailed in his journey, experiencing life in both worlds from moving to one place to another.
Maja Maljević
Maja Maljević was born in Belgrade, Serbia, in 1973. Having completed her schooling, she spent seven years obtaining her Masters in Fine Arts at the University of Belgrade, graduating in 1999. In 2000 she moved to South Africa, in order to escape the political turmoil in her own country. She has been living and working in Johannesburg since then.
Maljević’s particular style begins with “dirtying” the canvas with a layer of bright paint that breaks the baldness of the white surface and opens up the space for Maljević’s intuitive jigsaw endeavour. Onto this ground, Maljević builds up surfaces with drips, blocks, bands and waves of colour, searching for harmony between colour and form, line and shape, expansive surface and small detail. For Maljević, physical movement is an important part of the process – never can she be found sitting at an easel. Through her own version of gestural abstraction, Maljević prevents the composition from becoming staid and self-indulgent, as she has put it, and allows action and conflict to occur between the different elements with which she is engaged.
Qhamanande Maswana
Qhamanande Maswana is a visual artist currently based in Johannesburg, South Africa. Maswana grew up in King William’s Town, a city in the Eastern Cape province of South Africa.
Creative from an early age, Maswana was inspired to pursue a career in the arts whilst he was a student at Forbes Grant High School in South Africa. After finishing high school he competed in various art competitions held in the Eastern Cape, then went on to study Fine Arts at Lovedale College and graduated with a National Diploma in Fine Arts from the University of Fort Hare, South Africa.
Maswana has developed a unique style of portraiture which speaks to both the beauty and challenges of everyday life in South Africa. Effortlessly blending reality with imagination in each portrait, he often depicts the people he encounters in his day-to-day life in surreal purple hues as a way of portraying ‘the strength of [his] people and their descendancy from royalty.