HEIDI FOURIE
Soft Release
David Krut Arts is pleased to present Soft Release, a solo exhibition by Heidi Fourie featuring paintings and unique works on paper inspired by her encounters with nature during various residencies in 2025.
In Soft Release, Fourie explores the delicate boundary between the human and natural worlds, drawing on personal encounters with wildlife, wilderness, and the emotional terrain of reconnection. Through her evocative paintings and expressive brushwork, Fourie reflects on our estranged relationship with nature marked by awe, guilt, and longing.
At the heart of the exhibition is the artist’s deepening fascination with the animal gaze, particularly that of primates and birds. Observations of bushbabies in her Pretoria studio, field trips across South Africa, and witnessing the unforgettable encounter of eighty rehabilitated vultures being released form a tapestry of experiences that animate the works on show. These moments become metaphors for broader ideas of rewilding, vulnerability, and the slow, soft process of return — to nature, to instinct, to belonging.
Fourie’s paintings function as emotional landscapes, where curious creatures peer through foliage or rocky apertures, meeting the viewer’s gaze with quiet questions. With sensitivity and wit, she reflects on what it means to be a “primate” in an increasingly artificial world — still wild at heart, but unsure how to belong in the wild.
How vultures run, 2025
Oil on board
30 x 30 cm
R 13 000.00 VAT Incl. Framed
Last Scraps, 2025
Oil on board
40 x 40 cm
R 16 000.00 VAT Incl. Framed
“I was able to witness the simultaneous release of about 80 rehabilitated vulnerable vultures, which had been poisoned. Their release was celebrated with a feeding frenzy, a chaos of sweeping brushstrokes and quirky mannerisms. I didn’t anticipate the overwhelming emotions that surfaced at the moment of the release. It felt like a hard exhale of joy, grief and worry for the fate of these villainised characters. I have come to enjoy meeting people working tirelessly to protect wildlife. They typically don’t ask for fame or recognitionm which tells me there are more of them than we think.”
Even the young ones, 2025
Oil on board
34.5 x 21.3 cm
R 13 000.00 VAT Incl. Framed
burrow, 2025
Oil-based monotype
58 x 49 cm
R 14 500.00 VAT Incl. Framed
the water hole, 2025
Oil-based monotype
52 x 64 cm
R 18 500.00 VAT Incl. Framed
Scent of Grass, 2025
Mixed media on paper
100.5 x 77 cm
R 35 000.00 VAT Incl. Framed
“The feeling of stepping into the wild spaces is a dual feeling. I feel deep sadness and discomfort. The more I learn about the living world, the harder it is to deny the impact we’ve had which is perhaps why we are avoiding her.”
Blending In, 2025
Oil on board
32.1 x 25 cm
SOLD
Just curious, 2025
Oil on board
20 x 18 cm
SOLD
“I like to paint on the stoep of my current Pretoria studio, where a curious bushbaby visists me some nights, peeking over the roof at my painting. I try to mimic their complex language. I wonder what they think I am trying to say.”
observer, 2025
Watercolour monotype
58 x 47 cm
R 14 500.00 VAT Incl.Framed
Scent trail, 2025
Oil-based monotype
80 x 68.5 cm
R 24 000.00 VAT Incl. Framed
Falling behind, 2025
Oil on board
22 x 36 cm
R 13 000.00 VAT Incl. Framed
the final burn, 2025
Oil-based monotype
80 x 68.5 cm
R 18 500.00 VAT Incl. Framed
gentle burn, 2025
Watercolour monotype
23.5 x 24 cm
R 7 325.00 VAT Incl. Framed
hot fire, 2025
Watercolour monotype
24 x 24 cm
R 7 325.00 VAT Incl. Framed
Drawn to the light, 2025
Oil on board
30 x 40 cm
R 16 000.00 VAT Incl. Framed
” I collect dead moths that come into my house to die. I wonder whether they have found their partner or have they become too distracted by the light.”
“The natural world begs to be painted, and its language begs to be understood.”
Being observed, 2025
Oil on baord
147 x 58 cm
R 38 000.00 VAT Incl. Framed
They live longer, 2025
Oil on board
32 x 50 cm
R 13 000.00 VAT incl. Framed
Crayon test I, 2025
Mixed media on paper
31 x 36.5 cm
R 7 500.00 VAT Incl. Framed
The Comfort of a Log, 2025
Mixed media on paper
28 x 23 cm
SOLD
Tired glance, 2025
Mixed media on paper
21 x 28 cm
SOLD
“Being human is awkward. We separate ourselves from all things living despite knowing we are lucky to live on this planet and more so to be able to think about how lucky we are to see her life.”
Shaking Heavy, 2025
Oil on board
40 x 40 cm
R 16 000.00 VAT Incl. Framed
Wait for the twist, 2025
Oil on board
30 x 40 cm
R 16 000.00 VAT Incl. Framed
Moved by giants, 2025
Oil on board
20 x 18 cm
SOLD
Portal, 2025
Mixed media on paper
73 x 125.5 cm
R 33 000.00 VAT Incl. Framed
” I looked for holes to hide from the elements with my sketchbook, the vista framed by the jagged aperture of rocks in compositional harmony I could never match. Unthinkable boulders are strewn across the landscape, providing perfect little homes for creatures peaking out.”
Strength test, 2025
Oil on board
32 x 50 cm
SOLD
“Our current environment least resembles our natural habitat. I imagine our release into the wild would need to be slow and soft.”
From within, 2025
Oil on board
177.5 x 127.5 cm
R 55 000.00 VAT Incl. Framed
Organism small, 2025
Oil on board
91 x 91 cm
R 38 000.00 VAT Incl. Framed
Altar, 2025
Oil on board
177.5 x 127.5 cm
R 100 000.00 VAT Incl. Framed
As she saw me, 2025
Watercolour monotype with handpainting
37.7 x 28.2 cm
R 18 500.00 VAT Incl. Framed
look over, 2025
Watercolour monotype
12.8 x 8.8 cm
R 6 325.00 VAT Incl. Unframed
over his shoulder, 2025
Watercolour monotype
58 x 49 cm
R 14 500.00 VAT Incl. Framed
“The primates are my favourites. It seems like the the obvious choice being the most relatable of animals. I thought about how lucky I am to be a primate, being able to climb and have curious animated eyebrows, mirroring our friends. We are eager to learn and grasp.”
About the Artist
Heidi Fourie (b. 1990) uses oil painting to explore the relationship between people and the spaces they occupy. She takes inspiration from the medium’s natural tendency to represent organic lines and shapes. Curiosity motivates her practice, as demonstrated by her gestural representation, muted palette, and unique angular perspective. By emphasizing the natural world through washed texture and depth, Fourie explores intuition and relativity.
Fourie studies how the results of figurative representation and the intrinsic qualities of paint are pursued simultaneously. Her subject matter is simple – everyday scenes of figures and familiar objects – the simplicity frees her to practice and constantly refine her balancing act between restraint and excess, between gestural and polished mark-making.
