A Year of Mark Making

Collaborations 2025

A year of mark-making celebrates the collaborations undertaken at David Krut Projects in 2025 highlighting works made in collaboration at the print works. selected works shown in the gallery program throughout the year as well as work by the David Krut Collective of printmakers. The project will feature works by Mary Sibande, Olivia Pintér, Oupa Sibeko, Thando Salman, Nditsheni Managa as well as works from the David Krut Collective which includes the workshop collaborators.

Artists

Thando Salman

Don’t Look Up, 2025
Watercolour monotype
24.9 x 18.9 cm
R 5 000.00 VAT Incl. Framed

Last Man in the Garden I, 2025
3-layer oil-based monotype
31 x 38 cm
R 6 500.00 VAT Incl. Framed

Last Man in the Garden I, 2025
3-layer oil-based monotype
31 x 38 cm
R 6 500.00 VAT Incl. Framed

Thando Salman (b. 1997) is a South African multidisciplinary artist.  Salman uses painting, mixed media and constructed landscapes to explore themes of vulnerability, memory, boyhood, and identity in the context of urban and cultural displacement. His work particularly focuses on the lived realities of Black youth in South Africa, particularly young men, through themes of identity and contemporary existence.

Taxi Carwash at Bree Street, 2025

Watercolour monotype

38.5 x 31.5 

R 5 500.00 VAT Incl. Framed

Everyone loves ice cream at Wits, 2025

Watercolour monotype

38.5 x 31.5 cm

R 5 500.00 VAT incl. Framed

Nditsheni Managa (b. 1982) is a full-time visual artist based in Johannesburg working primarily with acrylic on canvas as well as mixed media with chalk pastel. Managa’s art frequently features themes of nature, landscapes, and trees, using textured layers and vibrant detail. He also creates cityscapes, showing the influence of the city of Johannesburg on his work.

Behind the Scenes 5, 2025

Oil-based monotype and drypoint with hand work and collage

45.6 x 54 cm

R 17 500.00 VAT Incl. Framed

Behind the Scenes 7, 2025

Drypoint with hand work and collage

45.6 x 54 cm

R 17 500.00 VAT Incl. Framed

Behind the Scenes 25, 2025

Monoprint with handwork and collage

43.4 x 52 cm

R 17 500.00 VAT Incl. Framed

Maja Maljević (b.1973) is an expressionist painter and printmaker combining organic and geometric shapes to seek harmony in disparate ideas. Motivated by the physicality of making art, she has a bright and organized style. Maljević explores the dynamism of positive and negative space and uses color value to convey her sentiments. Her process always begins with breaking up the starkness of the blank canvas or page. In a move that can be viewed as “dirtying” the page, Maljević adds a layer of bright colour. From here, she can then let her intuition take over, filling the page with colours, shapes and lines, as well as drips, blocks, bands and waves. For her, movement is as important to her method as the initial step of “dirtying”, this results in dynamic and engaging works. Maljević’s art is a visual symphony of figurative and abstract, organic and geometric, obvious and elusive elements. Through her works, she aims to create a visual language that resonates with the viewer, much like music communicates emotion through sound.

 

Poconos, 2025

Oil and water-based monotype

37.3 x 27.5 cm

SOLD

Like sunlight through a tree, 2025

Oil-based monotype with handwork

64 x 52.5 cm

R 7 000.00 VAT Incl. Framed

Nkensani Mkhari (b. 1994) is a contemporary curator and post-disciplinary artist. His broad practice spans photography, painting, performance art, sound design, and new media. Mkhari‘s artworks function as multimodal material-semiotic metaphors. Mkhari is an artist whose work explores the concept of identity and subjectivity in a unique way. Drawing inspiration from bantu-cosmology and a triadic understanding of being, he challenges epistemic erasure and traditional notions of personhood.

Send a message moon, 2025

Oil-based monotype with chine collé and hand work in polychrome pencil
26.7 x 33.4 cm
R 5 500.00 VAT Incl. Framed

What about your muchness, 2025
Oil-Based Monotype
26.7 x 33.4 cm
R 5 500.00 VAT Incl. Framed

Where’d you go Tulip, 2025
Oil-based monotype with chine collé and hand work in polychrome pencil
26.7 x 33.4 cm
R 5 500.00 VAT Incl. Framed

Aubergine Prediction II, 2025
Oil on canvas
92 x 121.5 cm
R 34 500.00 VAT Incl. Unframed

Olivia Pintér (b. 2000) is a Johannesburg based painter working primarily in abstraction. She first came to work with abstraction after spending time painting landscapes, particularly gold mining tailings dams in and around Johannesburg, and through the constant repetition of these paintings, she found them becoming more abstract. This began to interest her in terms of trying to contribute “something that was that was representational but in a way that wasn’t giving the viewer a direct entry point into what I was making”. Her practice also makes use of writing, and through it she explores the relationship between text and image, focusing on how these two modalities may marry, extend, and limit each other.

Aloe bush (2020), 2025

Linocut and handwork

40 x 35 cm

R 25 000.00 VAT Incl. Framed

Lady Skollie (b. 1987) – aka Laura Windvogel – is a South African feminist artist and activist. She employs ink, watercolour, and crayon to address topics such as sex, pleasure, consent, human connection, violence, and abuse. Her work explores themes related to the erotic and the complexities of human experience. Alive with emotional, political, sexual turmoil and loud questioning voices, Lady Skollie’s works depict relationships between godlike figures and flawed mortals singing, grunting, reflecting, gushing. Her characters writhe, twist and dance, queue and hold each other up. The moniker ‘Skollie’ is a widely used derogatory term to describe a shady character, historically used in South Africa when a person of colour was in a place deemed unsuitable by the white populace. Lady Skollie embraces this shadiness, combining it with an interplay of masculine and feminine energies, creating a space where the disparate parts of her personality are reconciled. The artist explains: “I just like having an alias. You feel like you can take more risks under a pseudonym… there is a psychology behind aliases, a kind of strength that they give you.”

Behind the Fan, Among the Barberton Daisies I, 2025
Woodcut
76.5 x 56 cm
Edition of 10
R 71 000 VAT Incl. Framed

Behind the Fan, Among the Barberton Daisies II, 2025
Woodcut
76.5 x 56 cm
Edition of 10
R 71 000 VAT Incl. Framed

Mary Sibande (b. 1982) is a contemporary South African artist working across a variety of mediums, from sculpture to  photography and printmaking. Her work primarily explores how to reclaim the black female body in post-colonial and post-apartheid South Africa. Her work often portrays the artist’s alter-ego “Sophie”, a dreamer exploring worlds previously denied to her. Sophie is based upon Sibande herself, as well as the women in Sibande’s family, however, she is also a symbolic figure addressing many topics that remain relevant today, including blackness, femininity, labour and post-coloniality.

You will be attractive in the way of 1957, 2025
Photogravure and sugar lift aquatint etching with collage
66.7 x 84.5 cm
Edition of 16
R106 000 VAT Inclusive framed

It reminds me of something I can’t remember, 2025
Photogravure and dry point with collage
66.7 x 84.5 cm
Edion of 16
R106 000 VAT Inclusive framed

William Kentridge (b. 1955) is a world renowned  multidisciplinary artist, working across printmaking, drawing, sculpture, writing, film, performance, music, theatre and collaborative practices. His work follows themes of politics, science, literature and history, while also allowing for a sense of contradiction and uncertainty. While many artists dabble in printmaking on the side of their practice, Kentridge is a modern pioneer in the medium – drawings and theatre projects regularly emerge from his prints, and vice versa. For Kentridge, printmaking is in itself a multi-disciplinary practice, considering an “etching as an extraordinary, ridiculously complicated form of animation,” knowing that a single plate will constantly be reworked, resulting in several different states.

Mother I, 2025
Kim-Lee Loggenberg-Tim Watercolour monotype and handwork
15.1 x 10 cm
R 3600 for the pair (with Mother II)

Mother II, 2025
Kim-Lee Loggenberg-Tim Watercolour monotype and handwork
15.1 x 10 cm
R 3600 for the pair (with Mother I)

Kim-Lee Loggenberg-Tim (b. 1987) was born in Port Elizabeth. She received her Bachelor of Technology (Btech) in Fine and Applied Arts, majoring in printmaking, from the Tshwane University of Technology in 2010.   Kim-Lee’s artistic practice involves delicate intaglio etching and drypoint prints and monotypes. Her work has featured on group shows including Kind of Blue 2019, at David Krut Projects, Johannesburg; and Life Amongst Cats, 2018, David Krut Bookstore & Gallery 151, The Cat Show, 2019, David Krut Bookstore & Gallery 151, Johannesburg.  She has worked as an editioning printer and collaborator at the David Krut Workshop since 2013. Kim-Lee specialises in intaglio printing and takes a special interest in the application of chine-collé and the creation and printing of water- and oil-based monotypes. 

Handle with care, 2025
Mixed media of cyanotype and mezzotint
39.4 x 30.1 cm
Unique
R 6 500.00 VAT Incl. Framed

FAITHFUL GAZE, 2015
Linocut
35.1 x 24.2 cm
Edition of 15
R 5 000.00 VAT Incl. Framed

Sbongiseni Khulu (b. 1990) is a printmaker at the David Krut Workshop. In 2015 he began as an intern and later started working as a printmaker. Khulu’s eye for detail and recognition as a perfectionist in the workshop is reflected in the projects he works on. Born 1990 Esikhawini in KwaZulu-Natal, Khulu matriculated from a technical high school and furthered his studies under the scaffolding of a Civil Engineering degree in Durban. Dissatisfied with engineering, Khulu pivoted towards a Fine and Applied Arts degree in Pretoria at the Tshwane University of Technology (TUT). There he majored in sculpture and printmaking.    In his third year Sbongiseni was chosen to be amongst the 2012 PPC Young Concrete Sculptors Awards finalists (PPC Imaginarium). This led to his appointment as co-student assistant of the sculpture studio at TUT in his fourth year.  Since then his work as an artist has been exhibited both locally and internationally, all whilst continuing to collaborate with a number of artists as printmaker. 

Mountain Forest, 2025
Drypoint with handpainting
30 x 20 cm
Edition of 10
R 3000.00 VAT Incl. Framed

Roxy Kaczmarek (b. 1990) is a printer at the David Krut Workshop who coordinates printmaking project management, post production and daily running of the workshop. Her role is as a go-between for the sales and marketing team at the Gallery, and the print workshop where the production happens.  Roxy Kaczmarek studied at UCT’s Michaelis School of Fine Art and majored in Printmaking. She moved up to Johannesburg in 2017 to complete her Masters at the University of Johannesburg’s Faculty of Art and Design which she graduated with cum laude in 2019. The paintings, installation and prints for the Masters show exhibition ‘Third Landscapes’ (2019) interrogated the intersection of plants and people within liminal spaces of the city. Kaczmarek worked as Printer and Studio Manager at Warren Editions Studio, Cape Town (2013-2017). She won a gold medal in the Absa Art and Life Awards for Printmaking in 2012 and has done internships at the London Print Studio and at Amsterdam’s Grafisch Atelier in 2013. 

Jesse Shepstone

How to almost effectively mourn every version of people you have not met, 2025
3-layer watercolour monotype
45.3 x 48.5 cm
R 4750.00 VAT Incl. Framed

The informal guide to remembering a pat that isn’t yours, 2025
2-layer watercolour monotype
31.2 x 41.3 cm
R 3750.00 VAT Incl.  Framed

Jesse Shepstone (b. 1999) is a print assistant at DKW. He completed his internship at DKW in June of 2022 and has been working as a Printing Assistant since October 2022 with one of the main focuses being assisting the team on the editioning of Kentridge’s “The Old God’s have Retired” and “My Father is a Tree in a Forest of Fathers”. He matriculated from Waterstone College in 2017 and began Visual Arts in 2018 at The University of Johannesburg. He received the Dean’s Merit award three years in a row before graduating with Distinction for his Postgraduate Degree in 2021. He takes interest intaglio processes and experimenting with alternative photographic processes like Van Dyke Brown and Cyanotype printing. His own practice revolves around the found photograph, memory and nostalgia.

Lungile Ngcobo

A forlorn attempt to escape, 2025
Digital printed image on Matte Tecco paper
42 x 29.7 cm
Edition of 10
R 5 000.00 VAT Incl. Framed

STUCK ON THOSE FEELINGS? AGAIN. 2025
Silkscreen on canvas with Chine Collé
58 x 49.4 cm
R 7 500.00 VAT Incl. Framed

Lungile Ngcobo (b. 2000) is the administrator at Arts on Main.She is a visual artist from Johannesburg. She studied at the Market Photo Workshop and is part of the “Occupying the Gallery” artist collective, hosted by Mary Sibande and Lawrence Lomaoana.Lungile works in both commercial and documentary photography, using both analogue and digital formats. Lungile’s storytelling prowess shines through her exploration of the themes of “home” and “identity” in her work. Utilizing documentary fashion, she delves into her roots and manipulates images through collage to convey her emotions in her photography.

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