
‘Still Life: A Contemporary Arrangement’ is a group exhibition exploring the still life genre through the lens of contemporary artists affiliated with David Krut Arts. The show highlights how still life—traditionally seen as a minor genre—continues to be a powerful space for experimentation, symbolism, and personal expression. The featured works reinterpret the genre in diverse ways, emphasising the careful arrangement of objects as a reflection of formal concerns, cultural contexts, and inner worlds. The exhibition invites viewers to engage with the overlooked, finding new meaning in the ordinary.
Contents
David Krut Art has locations in Johannesburg and New York. In Johannesburg, we have exhibition project spaces at 151 Jan Smuts Avenue, Parkwood and a print workshop at Arts on Main, the major arts hub adjacent to downtown Johannesburg.
David Krut Workshop (DKW), based at Arts on Main, produces fine art editions and unique works on paper with both local and international artists some of which are featured at Latitudes Art Fair.
David Krut Art has locations in Johannesburg and New York.
In Johannesburg, we have exhibition project spaces at 151
Jan Smuts Avenue, Parkwood and a print workshop at Arts
on Main, the major arts hub adjacent to downtown
Johannesburg.
David Krut Workshop (DKW), based at Arts on Main,
produces fine art editions and unique works on paper with
both local and international artists some of which are
featured at Latitudes Art Fair.

William Kentridge

Still Life with Fishbowl, 2024
Edition of 20
Hard Ground Etching with hand painting
40 x 52.5 cm
William Kentridge (b. 1955) is a world renowned multidisciplinary artist, working across printmaking, drawing, sculpture, writing, film, performance, music, theatre and collaborative practices. His work follows themes of politics, science, literature and history, while also allowing for a sense of contradiction and uncertainty. While many artists dabble in printmaking on the side of their practice, Kentridge is a modern pioneer in the medium – drawings and theatre projects regularly emerge from his prints, and vice versa.
For Kentridge, printmaking is in itself a multi-disciplinary practice, considering an “etching as an extraordinary, ridiculously complicated form of animation, ” knowing that a single plate will constantly be reworked, resulting in several different states.

Studio Life: The Phillips Room, 2020
Edition of 18
Photogravure
44 x 54 cm

For Morandi, 2025
Edition of 16
Step-bite aquatint etching with drypoint
40 x 52.5 cm
Adele van Heerden
In 2021 van Heerden completed a residency with David Krut Projects, which culminated in her solo exhibition, Field Trip, in 2022. She has also been featured in a number of group shows at our Johannesburg Gallery, including Alone of It’s Kind (2022), Creature Feature (2023) and Women in the Workshop (2023-2024).

Sage I, 2025
Unique
Gouache on film
55 cm x 56 cm

Sage II, 2025
Unique
Gouache on Film
55 cm x 56 cm
Maja Maljevic
Maja Maljević was born in Belgrade, Serbia, in 1973. In 2000 she moved to South Africa, in order to escape the political turmoil in her own country. She has been living and working in Johannesburg since then. Maja Maljević first began collaborating with David Krut Workshop (DKW) in 2007, when she began experimenting with printmaking as a way to expand her painting practice.

Still Life, 2024
Edition Variable of 1of 7
Monotype, Drypoint, Collage &
Handwork
37 cm x 56 cm
Heidi Fourie
Heidi Fourie (b. 1990) uses oil painting to explore the relationship between people and the spaces they occupy. She takes inspiration from the medium’s natural tendency to represent organic lines and shapes. Curiosity motivates her practice, as demonstrated by her gestural representation, muted palette, and unique angular perspective. By emphasising the natural world through washed texture and depth, Fourie explores intuition and relativity.

Still Life, 2025
unique
Oil on board
70 cm x 60 cm

I’ll Tell You By the Fire, 2025
Unique
Watercolour Monotype
58 cm x 49 cm
Boemo Diale
Boemo Diale (b. 2000) is a painter and sculptor who combines media to engage in a playful and dynamic historical dialogue with traditional art. Focusing on feminism, bodily autonomy, and theresponse to mental illness, her work remains light-hearted and bright. She utilises symbolism and abstraction in her vibrant figures to draw positive reflections on heavy subjects.

Week is still here, 2025
Edition of 9
Soft Ground, Sugar Lift, Drypoint and Handpainting
47 cm x 37 cm

Aren’t You Thankful it Happened, 2025
Edition of 9
Soft Ground, Sugar Lift, Drypoint and Handpainting
75 cm x 53 cm

Balancing Act, 2025
Edition of 9
Soft Ground, Sugar Lift, Drypoint and Handpainting
47 cm x 37 cm
Peter Cohen

Untitled, 2025
Edition of 9
Hardground and aquatint etching with pronto
lithography chine collé
28.8 cm x 28.5 cm
Peter Cohen is a Johannesburg-based architect and artist with a meticulous examination of the interplay between interior and exterior spaces and how this shifts our understanding of reality.
Through a methodical layering process, he constructs environments that challenge conventional understandings of spatial dynamics and the nature of human perception. His imagery manipulates visual elements to prompt viewers to investigate the reliability of memory and its role in shaping individual and collective experiences.
The artist achieves this through the act of dissolution – creating layered day dreams out of commonplace scenery where reality loses its definition, inside and outside become interchangeable and memory and truth are mirrored distortions.

Still Life with Portrait, 2024
Edition of 15
Mixed Media (Relief Monotype Soft ground hand painting with collage)
76.5 cm x 112 cm
Nina Torr
Nina Torr (b. 1987) is a South African artist and illustrator. Through sweet, fantastical and almost surreal imagery, Torr’s work explores mental landscapes inhabited by characters pursuing a journey of sorts. Her images imply open-ended narratives that invite the viewer to participate and engage with them on a personal level.

Codex Marginalia 5, 2023
Edition Variable of 13
Hardground Etching with chine colle on silkscreen
45 cm x 31 cm

Codex Marginalia 9, 2023
Edition Variable of 9
Hardground Etching with hand painting
45 cm x 31 cm

Codex Marginalia 2, 2023
Edition Variable of 13
Hardground Etching with chine colle
45 cm x 31 cm

Codex Marginalia 3, 2023
Edition variable of 13
Hardground Etching with chine colle
45 cm x 31 cm
Anna Van der Ploeg
Anna van der Ploeg (b. 1992) is a contemporary South African artist working in painting, printmaking and sculpture, primarily, though she does not limit herself to those fields. Her work explores metanarratives and searches for new metaphors to convey insights into our common assemblies, to find rhythms in the motion of social, artistic and intellectual contexts.

All the bugs in my garden know your name , 2024
Edition Variable of 13
Etching and Colle
104,4 cm x 36 cm

All the bugs in my garden know your name, 2024
Unique
Edition Variable of 10
Etching and Colle
104,4 cm x 36 cm
Stephen Langa
Stephen Langa (b. 1995) is a contemporary South African artist. Langa’s intimate imagery explores stories of the people, experiences and environment around him. Harkening back to artists like George Pemba, Claude Monet, Gerard Sekoto,
Jo Maseko and more. His work presents visions of new economic narratives and reality.

A Chapter of Change and Wisdom, 2024
Unique
Oil Based Monotype
71.5 x 87.7 cm

The White Tail Cafe, 2025
Unique
Oil Based Monotype
41 cm x 32.9 cm

The Bird Visitor, 2025
Unique
Oil Based Monotype
61 cm x 51.9 cm
Heike Jeske
Heike Jeske (b. 1981) is a Pretoria-based mixed media, printmaking and installation artist from South Africa. She draws her inspiration from roses, having grown up on a Rose Farm and spent her childhood surrounded by this beloved flower. Her work ponders why human’s have been so captivated by this flower. Her work tends towards large-scale, site-specific installations that seamlessly merge with their surroundings, but still asserting their presence through their size. She makes use of space, lighting and colour to metamorphose her art, imbuing it with diverse moods and atmospheres. She works through a variety of mediums, exploring boundaries of creativity.

Rose Boquet, 2024
unique
Watercolour Monotype
30.2 cm x 39 cm

Shadow of a Rose, 2024
unique
Watercolour monotype with charcoal handwork and watercolour handwork
24.5 cm x 29 cm
Phumulani Ntuli
Phumulani Ntuli (b. 1986) is a contemporary South African multidisciplinary artist. Working between documentary and fiction, Ntuli’s practice deals with omissions within archives. As he explains: “The continued themes I have explored in my practice have been notions of black futurity, the archive and its tensions. consistently delve within notions of collective autobiographies and their surrounding social political conditions.”

The Sample Effect, 2023
Watercolour Monotype and Pronto
72.7 cm x 83.5 cm
Roxy Kaczmarek
Roxy Kaczmarek (b. 1990) is a South African artist, printmaker, and educator based in Johannesburg. Her work explores the relationship between plants and people in overlooked urban spaces, often combining traditional printmaking with unconventional materials like cement. She holds a BFA from the University of Cape Town and a master’s in technology (cum laude) from the University of Johannesburg. Kaczmarek has worked at Warren Editions and is currently a printmaker and project manager at the David Krut Workshop. She also lectures part-time at UJ and is a member of The Printing Girls Collective. In 2022, she completed a residency at the Leipzig International Art Programme in Germany.

Cockscomb and Fynbos, 2025
Unique
Watercolour monotype
45.5 x 35.5 cm

Taking notes, 2025
Unique
Watercolour monotype
29.5 x 24 cm

Inside looking out, 2025
Unique
Watercolour monotype
29.5 x 24 cm

Take a moment, 2025
Unique
Watercolour monotype
29.5 x 24 cm

Nicky’s Palms, 2025
Unique
Watercolour monotype
29.5 x 24 cm

Winter Flowers, 2025
Unique
Watercolour monotype
45.5 x 35.5 cm
Bronwyn Findlay

Deborah Bell

Memo/Omen, 2012
Edition of 20
Drypoint and Etching
24.7 x 39.5 cm
Deborah Bell (b. 1957) is a contemporary South African painter, printmaker and sculptor. Her earlier more political work has given way to a broader, deeper investigation into the border between mortality and immortality, matter and spirit, presence and absence, the quotidian and the mythic, the grounded and transcendent. In recent years she has developed an immediately recognisable visual language, her images simple, stark, symbolic – grounded, silent, still, poised. In her iconography she draws from a range of cultures and a range of philosophies and psychologies. She is interested in the half-formed image – the unwritten, as yet unformed spaces we move towards in our quest for self knowledge.

Memo Version B, 2012
Edition of 10
Drypoint and Etching
24.7 x 39.5 cm

Memo Version A, 2012
Edition of 10
Drypoint and Etching
24.7 x 55 cm

The Blue House
151 Jan Smuts Avenue, Parkwood
David Krut Workshop
264 Fox Street, Johannesburg
info-jhb@davidkrut.com
www.davidkrutprojects.com